Tuesday, January 1, 2019

2018 Was a Busy Year!

What a year! I'm so very grateful for all the wonderful people I've had the pleasure of working with in 2018. Here are a few highlights that I'd like to remember.

MAGELLANICA. I will be forever, forever grateful to Damaso Rodriguez, and everyone at Artists Repertory Theater in Portland, Oregon, for producing the world premiere of my five and a half hour long Antarctic epic. I love this story. I've worked on it for ages... researching, writing, finding my way slowly forward, with lots of help along the way. I could not have asked for a better team, in every aspect, designers, director, crew, and my eight magnificent, brave actors. I would sit up on the back step of the theater, watching the audience watch my play unfold in front of them. Listening to them laugh and gasp. I'm proud of what we made together. And was delighted to have so many friends from across the country come and see!

HOW THE LIGHT GETS IN. In January, I had a first reading of a new play, sponsored by my beloved playwriting group LineStorm, in Portland's Fertile Ground Festival. It's about a travel writer who never travels... but ends up on a journey she'd rather not be on, with three companions who are on journeys of their own.  Daniel Ajl Kitrosser directed our wonderful group of actors, and I wrote and rewrote until about three in the morning the night before the reading. You know how that is? The play went on to a table reading at 16th Street Theater in Chicago (thanks, Ann Filmer!), and then to a week-long workshop at Boston Court Pasadena, directed by the extraordinary Emilie Beck, with a fabulous cast. I wrote and rewrote and wrote some more. And I'm so happy to report that Boston Court will be premiering the play in fall of 2019, with Emilie at the helm! 

TOWN HALL. In February, I flew out to the University of Maryland, where the opera that composer Theo Popov and I were commissioned to write for the ten singers of the Maryland Opera Studio was being produced, directed by Tara Faircloth. What a grand experience! Town Hall is about a retired librarian who faces off with a conservative senator who has voted to take away her health care... right when she needs it most. I'm glad to report that this opera is going to have its second production right here in Oregon, at my alma mater, Willamette University, in March 2019!

THE GREAT DIVIDE. In March, Chuck Harper invited me out to Southern Illinois University Edwardsville for a five week residency. I taught a playwriting class while I was there -- a fabulous group of young writers! And I worked on a brand new play inspired by the 2016 occupation of the Malheur National Wildlife Refuge in eastern Oregon. This is a play about patriotism and protest, and what it means to be an American in this divided moment. I came with 22 pages, five song ideas, and an absolute certainty that there was a play in there somewhere. By the end of the five weeks, Chuck and I and our cast of twelve put up a workshop production of the play. It was an absolute joy to sing with these people, and be lost in the process, and have the difficult conversations that come with making art, and seeing them all up on stage. This play had the gift of further development after I got back to Oregon, when dear Michael Mendelsonincluded it in Portland Shakespeare Project's "Proscenium Live." It's not done yet, though. This is a big play, a political play, and I continue to follow where it leads me.

SHERLOCK HOLMES AND THE CASE OF THE FALLEN GIANT. This opera is a fast and fun mash-up of Victorian mystery and fairy tale worlds, in which Sherlock Holmes and Dr. Watson solve the mystery of the dead giant in Jack and the Beanstalk. Composer Evan Meier and I continued our work on this family friendly opera in July when American Lyric Theater's creator and director Lawrence Edelson invited us to Saratoga Springs in New York for a week-long writing retreat. We did some major work on the libretto, and drafted several new numbers. We're excited to hear how it all sounds in March 2019, when we'll be in New York City for a piano vocal workshop!

THE GUN SHOW. This play about guns and gun control, which is both personal and political, continued to have productions across the country in 2018. Unfortunately, it doesn't stop being topical. I'll be in Tulsa and Pittsburgh with the play in 2019, and am also looking forward to its upcoming publication!

APPLE SEASON. In October, I had the opportunity to work on this new play in Theater Lab, in Boca Raton, which calls Florida Atlantic University home. This week of work on the play, and two public readings, was so helpful! Particularly because I already knew that the world premiere of the play was coming up quickly (January 2019 at NJ Rep!). We had a wonderful team. It was my first visit to Florida! Thank you, Matt Stabile! This is a play about a woman who is trying to come to terms with her past. It's about the power of truth-telling. Stay tuned for more exciting news about this one, coming soon...

TEACHING. I did a good bit of teaching in 2018! I taught my playwriting class at SIUE, and was a guest teacher in Profile Theater's Community Profile group (which was a real pleasure). I talked with several other teacher's classes as a guest! And I began teaching playwriting workshops at Artists Rep, which I plan to continue doing in the new year. Thanks for finding a place for me in your new education initiative, Karen Rathje

Between all of these exciting theatrical and operatic and teaching adventures, I spent time with friends and family, took road trips to the coast and to Ashland, walked up and down the Abbey Hill with Sam and Augie, cuddled with Joe the Cat, planted a garden, and saw a lot of wonderful plays. 
I'm grateful to be able to do what I love, and live where I want, and spend time with all of you. Thank you for being part of my year! May 2019 bring joy to us all.
Happy new year!

Thursday, December 28, 2017

Magellanica World Premiere January/February 2018!

I am absolutely delighted to announce that my epic play "Magellanica" will have its world premiere at Artists Repertory Theater in Portland, Oregon in January/February 2018.

Magellanica is a five-part epic play written by Oregon playwright E.M. Lewis, and directed by Damaso Rodriguez. This world premiere production at Artists Repertory Theater is made possible through major funding from the Oregon Community Foundation (OCF) Creative Heights Initiative and the Edgerton Foundation New Play Award.

In 1986, scientists and engineers from around the world converge at the South Pole Research Station to figure out, among other things, if there really is a hole in the sky. In the darkest, coldest, most dangerous place on Earth, eight imperfect souls are trapped together. Utterly isolated from the outside world for eight and a half months, this research team must face life or death challenges, their own inner demons and depend upon each other for survival.

With epic scope in the tradition of The Kentucky Cycle or Angels in America, this play takes its inspiration from the true story of the discovery of the hole in the ozone layer at the height of the Cold War. Part historical adventure, part love story and mystical foray into the unknown, Lewis has constructed a demanding, five-part epic that tackles issues of political, social and scientific urgency on a global scale. As Lewis says, "It has scientists as heroes. It's about the importance of truth. It's about a world that can either tear apart or come together for its own survival."

Epic. Captivating. Unforgettable. A binge-watching theatre experience!
A 5-part adventure, with three intermissions and a dinner break, click here to check out the menu!
Award-winning Oregonian playwright
Limited Run
Oregon Community Foundation Creative Heights Grant recipient
Edgerton Foundation New Play Award-winner

Vin Shambry as Captain Adam Burrell
John San Nicholas as Freddie de la Rosa
Sarah Hennesy as Dr. Morgan Halsted
Michael Mendelson as Dr. Vadik Chapayev
Alan Nause as Dr. Todor Kozlik
Barbie Wu as Dr. May Zhou
Joshua Weinstein as Dr. William Huffington
Eric Pargac as Dr. Lars Brotten

Saturday, July 29, 2017

We're Taking THE GUN SHOW to Edinburgh!

It's been such a busy year, my friends, that I've not even had a chance to breathe, much less blog.  But this latest news can't go without an update.

I'm taking the Portland production of THE GUN SHOW to the Edinburgh Fringe Festival in August 2017!  The play was directed by Shawn Lee, assistant directed by Nate Cohen, and features the fantastic Vin Shambry.

We are going with the support of Coho Theater, which supported the fall production of the play and is sticking with us!  We received a wonderful grant from the Oregon Arts Commission and another from the Regional Arts Council Commission, as well as major donations from Ronni Lacroute and Harold Weinstein.  Artists Repertory Theater allowed us to do a major fundraising event in the Morrison on July 1, where we played to a full and supportive house.

I am so excited to be part of this year's fringe festival!  I've heard so much about Edinburgh over the years.  And this is the most wonderful group of theater-makers.

If you or a friend find yourself in Edinburgh in August, come on down to The Space UK and see the show!  And say hello!

Details about THE GUN SHOW at the Edinburgh Fringe Festival can be found HERE!

Vin Shambry and playwright E. M. Lewis at The Gun Show.  A standing ovation at the special fundraiser performance at Artists Repertory Theater on July 1, 2017 -- raising money to take the show to the Edinburgh Fringe Festival!

Friday, February 24, 2017

Upcoming in spring of 2017!

Lots of fun projects coming up in March!

Next up: A staged reading of "Apple Season" in the Women's Playwrights Initiative at Ivoryton Playhouse in Connecticut! If you're in Connecticut, come on out and see us!  There will be readings and talkbacks and refreshments... It's going to be grand. Looking forward to exploring this play with my director and actors.  Click here for more info!

Immediately after the festival in Connecticut, I'm going to jump on a train and head down to Richmond, Virginia to participate in another festival!  On Saturday, March 11th, Cadence Theatre Company and TheatreLAB will present two shows for the first “Empathy in Action: a Social Justice Theatre Project,” a project of Cadence Theatre Company’s Sitelines program to be held at Maggie Walker Governor's School from 3pm-6:30pm.  A student panel will facilitate a discussion after each show.  Admission is free and open to the public, (first come, first seated).  I get to work with two fantastic theater artists on this: director Laine Satterfeld and actor Bostin Christopher. If you're in Richmond, please join us for an afternoon of theater, conversation, and community. Click here for more info!

And the third fabulous and exciting thing that I'll be working on in March is the opera!! A week-long workshop of the family-friendly opera that composer Evan Meier and I have been working on with American Lyric Theater will culminate in a public performance at Merkin Concert Hall in New York City. Click the link for tickets! We hope you'll join us. 

InsightALT: Sherlock Holmes And The Case Of The Fallen Giant
Sunday, March 26, 2017
3:00pm to 6:00pm
Merkin Concert Hall at Kaufman Music Center

Presented by American Lyric Theater and Merkin Concert Hall at Kaufman Music Center

A mash-up honoring the classic detective stories of Sherlock Holmes in a romp through a fairy tale world to solve a mystery unlike any Holmes and Watson have encountered before. With a playful libretto by E.M Lewis and mysterious score by Evan Meier, the game’s afoot!

Featuring Daniel T. Curran as Sherlock Holmes, with Sharleen Joynt, Jennifer Black, Blythe Gaissert, Steven Eddy, David Kravitz and Jorgeandrés Camargo. Conductor: Ari Pelto. 

Thursday, July 7, 2016


At the Corner of Shafer and Grace

Standing at the corner
of Shafer
and Grace
black and white
men and women
they wouldn't like
me saying
boys and girls,
but they're so

Imagining myself walking
in their shoes
walking in their shoes today
which follows yesterday
the shooting yesterday
and the shooting the day before
of young black men
by police officers
which happened in other cities
that were not this city
to other young men
who were not these
young men.

But how must it be
to see the world
through their eyes today?
Trying not to be afraid.
Trying not to look frightening.
Scenarios playing out
in your head
where everything spins
out of control
in an instant
where you have no
can you feel
your heart pounding
in your chest?
can you feel
the fear closing your throat?
can you feel
the anger?
I haven't done anything
I haven't done anything
I haven't done anything

As I write this poem
on this Richmond sidewalk
sweltering heat
from the cement
sun beating down
a young black man
comes up to me
with his friend
and he's just bought
a cell phone
and it doesn't have any pictures
on it
and he doesn't
know how to use it
but he figures it out
and asks
if he can take our picture.
I say yes
and he puts his arm around me.
Brandon.  His name is
Brandon.  My name is
Ellen, I say, as his friend
Brad clicks the picture.

He shows me the picture
of the two of us
Then we part
taking something
of each other with us.
I am in his picture.
He is in my poem.

Be safe
I want to say
but don't.
Should have?
I don't know.
He goes.
Be safe, Brandon.
Be safe.
I don't know what to say.

~E. M. Lewis  //  07 July 2016 // Richmond, VA

Thursday, December 31, 2015

2015 In Review

Oh, what a year it has been...


Now Comes the Night  (1 production - world premiere!)

Playwright EM Lewis and Director Alex Levy: Now Comes the Night 
world premiere at 1st Stage in Tysons, VA. 
For years, I've been thinking about continuing the journeys of some of the characters in my play Heads. This year, I finally had the chance when the new artistic director at 1st Stage in Tysons, Virginia, Alex Levy contacted me about premiering a play at his theater for the Womens Voices Theater Festival.

Samantha Macher with DC Metro Theater Arts said in her review, "Visceral, haunting, and beautifully executed, Now Comes the Night at 1st Stage is an excruciating and suspenseful look at lives of three journalists whose lives were ripped apart while covering the Iraq War. This world premiere play penned by Primus Prize winner EM Lewis, as a sequel to her award-winning work “Heads,”stands alone as an explosive examination of an endless and seemingly “bloodless” war and the role of the media in its portrayal. The show is a part of the incredible efforts of the Women’s Voices Theater Festival which seeks to highlight the scope of new plays being written by women, and the range of professional theater being produced in the nation’s capital."

She continues, "...at its heart, this is a play about the power of friendship. In every scene, the expressions of these character’s affections for one another is palpable. Each tries to get the other to overcome their demons, speak their truths, and finally feel safe after being in unspeakable peril. Through the piece, the characters are forced to grow, to change, and to be honest about the choices and shortcomings that brought them to the place they were today-- in the aftermath of a truly explosive television interview. 1st Stage Theater, and Director Alex Levy, maintained Lewis’ masterful levels of suspense through a winning combination of deft design and stunning performances.
Now Comes the Night - world premiere at 1st Stage in Tysons, VA: 
Jaysen Wright, Dylan Morrison Myers, Alex Levy, Sun King Davis, and EM Lewis. 
Big thanks to Alex, who was a joy to work with as I wrestled with this story, and who directed the heck out of it. Thanks also to our fabulous cast -- Dylan Morrison Myers, Jaysen Wright, and Sun King Davis -- and our designers and crew, and the producers of the Womens Voices Theater Festival! (Also, major thanks to Deborah Kahn and Harris Miller for hosting me while I was working on the play!) I'm looking forward to completing my Iraq War trilogy in the next year or two.

The Gun Show   (3 productions)

The year started with Moving Arts' production of  The Gun Show in Los Angeles extending its fall production (directed by Darin Anthony; starring Chuma Gault) into the new year.  Deborah Klugman, with the LA Weekly, said "The drama’s life-changing moments evoke a here-and-now immediacy, not easily forgotten." They took that production to Glendale College for a special performance -- thank you to producer Cece Tio, and Glendale College host Jeanette Farr-Harkins! Chuma was nominated for an Ovation Award for Best Solo Performer.

 Trent Blanton stars in The Gun Show by EM Lewis
at Passage Theater in Trenton, NJ.
I spent several weeks of January and February in Trenton, with the Passage Theater production of The Gun Show.  Bob Brown, from the Princeton Packet, had this to say: "At a time when many on the far left and far right claim to have the answers, Ms. Lewis’ play raises essential questions. Her play is a unique and gripping experience, masterfully directed by Damon Bonetti and thrillingly performed by Trent Blanton. See it and have your head turned around. Then tell your own gun story." Thank you to artistic director June Ballinger for bringing the play to her theater, and for putting me up for most of the time I was in New Jersey!  (Thanks to Ian August and Matt Campbell, who put me up for the rest of the time I was in New Jersey.  I think I still have a pair of your socks from when I forgot most of my clothes in June's dryer...)  The production was nominated for the Virginia Brown Martin Philadelphia Award, which acknowledges a production that demonstrates the ability of theatre to illuminate the ways we live and interact with others as we seek to build community.

Josh Campbell included an excerpt from The Gun Show in a Protect MN Benefit in Minneapolis.   Cherry & Spoon reviewed the event:  "EM Lewis is one of those people who is in the middle - she grew up with guns in rural Oregon... but recognizes that there needs to be some changes in the way we think about, legislate, and handle guns.  The play is funny, honest, and thought-provoking."

Peter Townley in The Gun Show 
by EM Lewis at Impact Theater in Berkeley, CA.
Artistic Director Melissa Hillman helmed the fall production of The Gun Show at Impact Theater in Berkeley.  Sam Hurwitt, with the Mercury News, said, "Peter Townley gives a gripping performance as the voice of the author, beautifully capturing the gravity and humor, the sweetness and horror of the story...  Less than an hour long, it's a show that can't help but push some buttons and get people talking about things they disagree with or aspects they hadn't considered. That's the power of a narrative so emotionally intense and so personal: It helps put you in the shoes of people you might not have thought you'd identify with at all."

The year is ending with another production of The Gun Show (the show's fifth in less than two years), in the Tucson Solo Theater Festival, which my friend and colleague Monica Bauer is producing.  Maria Franco Caprile directs, and Clark Andreas Ray performs.

I'm in discussions regarding three more potential productions of The Gun Show across the country -- so stay tuned for the continuing adventures of this very small and very personal piece of my heart.

Heads   (2 productions)

Heads had two productions this year.  Both in New York City!  In January, Lewis Gould directed a beautiful production at Theater for the New City.  It featured my friend Robert Jordan, Carol Jacobanis, Gabriel Gutierrez, and Seamus Maynard. 

Heads at the Beckett Theater on Theater Row in New York City 2015.
Playwright EM Lewis and director Laura Savia!
In September, just as I was gearing up for the world premiere of Now Comes the Night in DC, I was able to see the second production -- produced by Sacred Heart University at the Beckett Theater on Theater Row. Broadway producer Jerry Goehring, the creator and Artistic Director of the Theatre Arts Program at SHU, selected my play. My friend Laura Savia directed, and our actors were David Dotterer, Kim Martin-Cotton, Jose Leon, and Michael Turner. The production allowed students at Sacred Heart University majoring in Theatre Arts to take part in all creative and technical areas, and to work with a professional director on staging the show in an Off-Broadway venue. Students took on all production positions including design, stage management, assistant direction, running crew, house crew, graphics, marketing, and social media.

True Story (1 production) 

Kevin Christopher Fox directed a production of my play True Story at the Theater School at DePaul University this fall.  I so wish I could have seen it!  I love this noir-ish, twisty little thriller.  This was the play's second production. 

Infinite Black Suitcase  (4 productions)

Infinite Black Suitcase was one of my very first full-length plays.  With a cast of fifteen (!!!), you would think that NOBODY would ever do it!  But after its initial productions at Moving Arts and TheSpyAnts in Los Angeles, it was published by Samuel French and has been finding a happy home at colleges and high schools across the country ever since.  It's kind of a rural Oregon Our Town, in a way -- about several families dealing with love and loss over the course of a single day.

The cast and crew of Infinite Black Suitcase
at Glendale College with playwright EM Lewis in 2015.
I was delighted when my friend and colleague Jeanette Farr-Harkins brought me to Glendale College for their production of the play.  It was a joy to meet director Ed Douglas and his cast and crew.  I had the most wonderful conversation with the students and audience after the show. 

The play also had productions this year at St. Louis Park High School in Minnesota, Marcus High School in Texas, and Lone Star College in Texas. 

Song of Extinction   (1 production)

Song of Extinction had a production at Totah Theater in Farmington, New Mexico this year.  I wasn't able to see it, but read a delightful article in the local newspaper about how the producers found the actor who portrayed my character Khim Phan.  I am so glad that this play is continuing to find good homes!

Song of Extinction also had a reading with Theatre 33 at Willamette University in Salem, Oregon.  Willamette is where I earned my Bachelors Degree, and my old theater professor Christopher Harris directed my reading.  What a joy!  Coming home again. 


Finishing Magellanica!
In February, I finished a draft of my epic Antarctica play Magellanica.  After six years of research and writing!  A big thank you to everyone and every theater company who has supported my work on this grand adventure of a play.  I worked on it during my Hodder Fellowship at Princeton University, and my Inge Residency in Kansas.  I've had readings of various pieces of it at Moving Arts in Los Angeles, Playwrights Theater of New Jersey, Project Y and the Lark in New York City.  But it is Chicago director Kevin Christopher Fox who I have to thank for helping me get to the finish line.  He fell in love with the play when he read it, came down to Kansas to help me work on part 3, directed a workshop of parts 1-4 at TimeLine in December of last year, and then organized a writing retreat for him and I in February, where we holed up in blizzard conditions, drank a good bit of bourbon, and I brought these eight beloved characters of mine home at last.  (Thank you to Diane Ruzevich for the retreat house!) 

In theater, the end is just the beginning; now, the real work begins as I try to find a good home for this behemoth of mine.  But it feels quite wonderful to have birthed it, and to now enjoy the process of encouraging it up into its final form on a stage somewhere.  One bit of surprising support for the play has come already!  It received Honorable Mention on this year's Kilroy List, of the plays by women that theater folk most want to see produced.

Earth Duet in the Climate Change Theater Action

Earth Duet by EM Lewis - a short film produced by Pomona College
for the 2015 Climate Change Theater Action.
I wrote a short play called Earth Duet for a global event called the Climate Change Theater Action -- a series of worldwide readings and performances intended to bring awareness to, and foster discussion around, climate change in November and December 2015. This action was in support of the United Nations 2015 Paris Climate Conference (COP21) taking place November 30-December 11, 2015. A collection of more than forty plays, songs and poems by writers from all six livable continents, curated by Caridad Svich, Chantal Bilodeau and Elaine Avila, were made available to collaborators worldwide. More than 70 groups hosted events, ranging from informal readings in classrooms to day-long festivals, from radio programs and film adaptations to site-specific performances at the foot of glaciers. Earth Duet was performed in more than a dozen venues around the world, including:

COPout Event at Arts House in Melbourne

Costa Rica
Nature Acts! by Little Theater Group

Celebration of the Solstice by Teater Viva in Hjortshøj

Vihaan International Festival of the Arts in Bhopal

New Zealand
Massey University

United States of America
  • University of Connecticut in Connecticut
  • Faith and Climate Change Roundtable at Stony Brook University in New York
  • Notes from This Fragile Blue Place We Call Home by The Peoplehood in Los Angeles, California
  • Arizona State University in Arizona
  • Green Shorts: Films (Re) Imagining our Troubled World at Pomona College in California
  • BigFoot Theater Company in Albaquerque, New Mexico
  • DramaDogs in Santa Barbara, California
  • Western Washington University in Washington
  • Carnegie Mellon School of Drama in Pittsburgh, Pennsylvania
  • Randolph-Macon College in Ashland, Virginia
  • Santa Cruz Climate Change Theater Action at Mountain Community Theater
  • Natural Acts in Lexington, Kentucky


Sherlock Holmes and the Case of the Fallen Giant  (opera libretto)

Composer Evan Meier, librettist EM Lewis, and mentor Mark Campbell, workshopping Sherlock Holmes and the Case of the Fallen Giant with American Lyric Theater.
Two years ago, I was accepted into American Lyric Theater's Composer Librettist Development Program.  This rigorous year-long course, taught by working professionals, helps composers and librettists learn how to work together to create a new opera.  Artistic Director Larry Edelson has created an amazing program, and I will be forever grateful to him for letting me into it, and then allowing me to continue in the program for a second year.  He has been supporting and encouraging my composer partner, Evan Meier, and I as we develop our first full-length opera.  In the spring, we had a residency in New York, where we developed our idea for a family-friendly piece that would mash up the mystery and fairy tale worlds alongside our colleagues in the program.  During the summer, I wrote an 88-page libretto entitled Sherlock Holmes and the Case of the Fallen Giant!  In the fall, Evan and I had another residency, where we workshopped the libretto with a great group of singers and two of our mentor/teachers -- Mark Campbell and Cori Ellison.  We're hoping to be ready for a piano-vocal workshop in the fall.

The Crossing   (opera libretto)

I met composer Clarice Assad in American Lyric Theater's Composer Librettist Development Program.  Over the summer, she and I worked on an opera piece inspired by real historical events for Arizona Opera Company's "Arizona Bold!" program.  We were semi-finalists with The Crossing, which dramatized the building of the Roosevelt Dam through letters between a local developer and President Theodore Roosevelt.


Acquired an agent!  --  So glad to be represented by Samara Harris Anderson at Robert A. Freedman Dramatic Agency!

Ashland New Plays Festival 2015 - JP, EM, and Artistic Director Kyle Haden.
Worked as host playwright for the Ashland New Plays Festival  --  Our inspiring new artistic director, Kyle Haden, led this year's ANPF.  It was my sixth year as host playwright!  We had a fantastic bunch of plays by Meridith Friedman, Beth Kander, Skye Robinson Hillis, and Brian Mulholland.
ANPF 2015 - winning playwrights!
Responded to plays in the KCACTF Region 7 Festival and taught a workshop -- This was my second time responding to plays for one of the Kennedy Center American College Theater Festival's regional events.  This one was held in Ellensburg, Washington.  I gave young playwrights feedback on their full-length, one-act, and ten-minute plays, and taught a workshop on "Writing History" to a room full of eager young writers.  Great fun!

Guest taught a playwriting class at University of Oregon


Innovation in Five Acts.
An essay I wrote about life, The Gun Show, and everything was included in an anthology called "Innovation in Five Acts."  Edited by Caridad Svich, and published by Theater Communications Group.  "In this edited collection, more than forty practitioners and scholars voice their whimsical, fiery, deeply impassioned, political, funny, sometimes elegiac and stinging words prompted by a call to write about 'artistic innovation.'  With intelligence, thoughtfulness, rigor and wit, author after author offer their considered take on the subject, unlocking new perspectives, unearthing old ones, and in general, doing what artists do best when they are walking on ground they trust and among colleagues who are not sitting before them in continual and sometimes stultifying judgment--and that is, open our eyes, hearts and minds again."

Articles and interviews!

Desa Philadelphia wrote a profile of me for the USC News Magazine.  Thanks, Desa!

Donna Hoke interviewed me for her "PLONY" series -- all about playwrights living outside New York.  Thanks, Donna!

Playwright EM Lewis driving tractor and picking grapes on the farm in Oregon.

What else?

Got reading glasses.  Started writing a new play.  Saw Hamilton at the Public before it transferred!  Started adapting one of my plays into a screenplay for an independent film production.  Had a fling/felt ridiculously heartbroken when it ended.  Picked myself up again.  Picked grapes.  Visited friends.  Planted and tended and cooked from a fantastic garden.  Spent time with my family here on the farm.  A little bit, anyway. 

It's been a roller coaster of a year.  I've worked harder than ever.  I wrote a ton.  I had a dozen productions of my full-length plays, including a world premiere.  I wrote my first opera libretto.  I taught a bit.  I travelled almost constantly, and slept in a bunch of people's guest rooms as I made theater across the country. 

I am lucky, people.  Who gets to do this???  It's a wonderful life, indeed.

Sunday, November 8, 2015

The Gun Show - The Next Part of the Story

I mostly write about professional events, productions, and upcoming projects in this blog.  But occasionally I use this space to write about things that happen at the intersection of the professional and the personal.  I've written several posts about my play "The Gun Show" -- which more than anything else I've written, falls into that category.


I've been thinking about writing a companion piece to "The Gun Show."  The idea has been in my head for a while... percolating in my subconscious, alongside several other play ideas.  I think there's something to it.  But the other day, as I chatted with my director friend Kevin Fox about possible projects we might work on during an upcoming writing retreat, I decided against working on "Gun Show, Part 2..." and felt a sudden and overwhelming sense of relief.  I didn't want to go to the sad place again.  Not right now, anyway.

I want to be happy.

It feels pretty amazing to write that silly little sentence.  But it's a testament to the profound effect that writing "The Gun Show" has had on my life that I *can* write it.  Because for the last twelve years, since my husband died -- since my husband killed himself -- I have understood that I don't deserve to be happy.

It isn't that I've been sad all this time.  Not exactly.  And I've been reasonably productive.  I'm a hard worker.  But any time something good happened -- a production or an award or a trip to some place pretty -- my inner voice would warn me against enjoying it too much.  My husband was dead.  I wasn't allowed.

It's been half a life, and I got tired of it.  I got tired of myself.

So I wrote "The Gun Show."  Which is a theater piece about guns and gun control in America, but one that had a role in helping me come to terms with my husband's death.  It was time for me to open up that box, and deal with what was inside it.  The play has had four productions in the last year and a half, and has three more in the works.  And as I come out the other side of the writing and performance of this play that is more than a play, I am beginning to realize how much I'd like to ditch my inner voice.  I'd like to stop checking myself every time something good happens.  I'd like to not be alone anymore.

I want to be happy.

And I guess that I'm maybe, finally, ready.

Now... to see if I can figure out how.