...well, no. Actually, I'm feeling pretty good about things.
Birthdays, for me, have always felt like a good time to try to make a clear-eyed assessment of where I'm at, versus where I want to be.
Where do I want to be? Writing the best possible plays I can figure out how to, preferably while making enough to keep a roof over my head and my cat in cat food. Working with great people, if possible.
Where am I at? Writing plays. Making enough to keep a roof over my head and my cat in cat food. Working with great people on a pretty regular basis. How cool is that?
The last year has brought some lovely readings and productions of my work, awards, residencies and publications. I've written some new short plays, and am deep into researching and writing a new full-length. And I've been given the opportunity to quit my stable, sensible day job here in Los Angeles, and go write full time -- from September 2010 to May 2011, anyway -- as a Hodder Fellow at Princeton University.
I'm taking it. I am seizing the freakin' day. New Jersey, here I come.
Several things make this decision possible. The love and support of friends and family. The odd blessing of owning nothing. The financial cushion that the Primus and Steinberg awards gave me (and may I thank them once again for their generosity!). And a keen sense of my own mortality.
I have no idea what the coming year will bring. Challenges and opportunities both, I'm sure! But I'm ready to work harder than I ever have before, write lots, see new things, see some shows, meet new people and make the most of this new adventure. (I think I'm ready. I hope I'm ready...)
Onward!
If the year to come is half as rich as this one has been, I'll count myself lucky.
~Ellen
PS: If you're in New Jersey next year, please stop by and say hello. I don't know anyone there, and I'm a little nervous!
PPS: A special thank you to Samuel French, publishers of "Song of Extinction." They've made me their "featured playwright" for the month of April. Click to see an interview with yours truly, and to buy a copy of the play.
Showing posts with label Steinberg/ATCA Award. Show all posts
Showing posts with label Steinberg/ATCA Award. Show all posts
Sunday, April 11, 2010
Wednesday, August 12, 2009
"Song of Extinction" Honored alongside the Ten Best Plays of the Year
As the winner of the Steinberg Award (for the best play premiering outside of New York City, as selected by the American Theater Critics Association), "Song of Extinction" will be honored alongside the ten best plays of the year in Limelight Editions' "Best Plays of 2008-2009" -- a collection of essays, statistics and information about the theater world -- in early 2010. For more information about the collection, visit their website!
www.bestplays.org
www.bestplays.org
Wednesday, April 8, 2009
A Very Good Weekend
On Thursday, I flew to Kentucky to attend the Humana Festival of New American Plays at the Actors Theater of Louisville.
I saw a bunch of plays, including:
- Ameriville by UNIVERSES
- Absolom by Zoe Kazan
- Slasher by Allison Moore
- Wild Blessings: A Celebration of Wendell Berry which was adapted for the stage by Marc Masterson and Adrien-Alice Hansel from the writing of Wendell Berry
- The Hard Weather Boating Party by Naomi Wallace
- Brink! co-written by six people for the 21 Actors Theater interns to perform
- and the three winning 10-minute plays in the annual 10-minute play festival.
The main reason I was at the Humana Festival was to receive an award for my play Song of Extinction from the nice folks at the American Theater Critics Association -- the Steinberg/ATCA Award. (These are the same folks who presented me with the Primus Prize last year -- I'm very fond of them...) The award was presented on Saturday night -- a plaque and a check -- by Pittsburgh theater critic Chris Rawson and theater supporter and Steinberg Foundation representative Jim Steinberg. It is an amazing gift of both money and affirmation. I'm going to try to use it well. I think I'm going to be spending the next month or two trying to figure out what "well" is...
A very good weekend.Monday, March 9, 2009
Some jolly good news...
Well, now.
I arrived at work this morning to find a lovely bit of good news in my e-mail inbox. Apparently, I'm one of six finalists for the 2009 Harold and Mimi Steinberg/ATCA New Play Award, which recognizes the "best new scripts produced professionally outside New York City" in the previous year. The award finalists and winners are selected by the American Theater Critics Association -- the same folks who awarded me the Francesca Primus Prize for an emerging woman theater artist last year.
I'm a fan.
I'm also a fan of several of the other finalists. In fact, I'm feeling entirely humbled to even be on a list with them. I studied Lee Blessing's play "A Walk in the Woods" in college. I LOVED Tracy Letts' "August: Osage County" when I saw it on Broadway (Broadway!) last year, just before it won a Pulitzer Prize. And one of my fav local theater companies, Furious in Pasadena, did a play called "Back of the Throat" by Yussef El Guindi two years ago which I think was my favorite thing I've seen there -- a war play (of sorts) with great punch, complication, boldness and truth.
Some very good company. A very good day.
Here's the deets.
U.S. THEATER CRITICS NAME SIX FINALISTS
FOR 2009 STEINBERG/ATCA AWARD
The American Theatre Critics Association (ATCA) has selected six finalists for the 2009 Harold and Mimi Steinberg/ATCA New Play Award, which recognizes the best new scripts produced professionally outside New York City during 2008.
The winner and two additional citations will be presented April 4 at Actors Theatre of Louisville during the Humana Festival of New American Plays. The top award includes a commemorative plaque and a cash prize of $25,000 -- currently the largest national new play award -- with $7,500 for each citation.
The finalists are:
* Becky's New Car by Steven Dietz is "a warmly humorous and nimble romantic farce a genial consideration of loves lost and found, midlife and middle-class ennui and American car lust," said the Seattle Times. It was produced in October 2008 by ACT Theatre in Seattle.
* Great Falls by Lee Blessing is a wry drama about a stepfather and his disaffected stepdaughter trying to make connections on a road trip across the American West. It was produced in February 2008 at the Humana Festival of New American Plays at Actors Theatre of Louisville. Blessing won the award in 2006 for A Body of Water and 1987 for A Walk in the Woods.
* Lydia by Octavio Solis is a searing depiction of a dysfunctional Mexican-American family in the 1970s dealing with issues of immigration, assimilation and mental illness. It premiered at the Denver Center Theatre Company in January 2008.
* Our Enemies: Lively Scenes of Love and Combat by Yussef El Guindi depicts Muslim-Americans struggling among themselves how to portray their cultural identity and how deeply to assimilate in the post-9/11 world. It was produced in March 2008 by Silk Road Theatre Project in Chicago.
* Song of Extinction by E.M. Lewis starts as a realistic examination of ecology, genocide, isolation, music, family relationships and a host of other issues but morphs into a dreamscape which weaves the disparate strands into a cohesive pattern of inter-connectedness. It premiered in November 2008 at Moving Arts in Hollywood. Lewis won ATCA's Francesca Primus Award last year.
* Superior Donuts by Tracy Letts is a comic drama portraying the resurrection of a former '60s radical who is hiding from disappointments and tragedies by running a tiny Chicago doughnut shop. His isolation is challenged by a young black man seeking a job and running from some secrets of his own. It premiered in June at Steppenwolf Theater.
Consideration for the Steinberg/ATCA awards is limited to new plays not yet produced in New York City by the end of the year. These six finalists were selected from plays nominated by ATCA members, then evaluated by a committee of 13 theater critics, led by chairman Wm. F. Hirschman of the South Florida Sun-Sentinel.
Other committee members are Misha Berson, Seattle Times; Bruce Burgun, Bloomington Herald Times and Back Stage; Michael Elkin, Jewish Exponent (Pa.); Jay Handelman, Sarasota Herald-Tribune; Pam Harbaugh, Florida Today (Melbourne); Leonard Jacobs, New York Press, Back Stage and The Clyde Fitch Report; Chad Jones, Oakland (Cal.) Tribune; Elizabeth Keill, Independent Press (Morristown, NJ); Elizabeth Maupin, Orlando Sentinel; Wendy Parker, The Village Mill (Midlothian, Va.); Michael Sander, Back Stage (Minn.); and Herb Simpson, Totaltheater.com (Rochester, NY).
"This year's entries dig deep into the soul of America with timely issues about technology's effect on humanity and timeless issues about searching for meaningful human connections," Hirschman said. "The nominated plays reflect an encouraging range of well-known names and newcomers, young voices and mature talents, the mainstream drama and the surreal. Protagonists are as diverse as Arab-Americans fighting about their image or Southern white women planning a wedding to an African American runner from Louisiana."
These awards began in 1977, when ATCA started to cite each year one new play produced outside New York City. In 1985, the annual citations expanded to three, and from 1986 one of those three was given the ATCA New Play Award of $1,000, with various newspapers providing financial subsidy. In 2000, the award was renamed to recognize the Steinberg Foundations generous annual gift of $15,000, raised in 2006 to $40,000.
Honorees since 1977 have included Lanford Wilson, Marsha Norman, August Wilson, Jane Martin, Arthur Miller, Mac Wellman, Adrienne Kennedy, Donald Margulies, Lynn Nottage, Horton Foote and Craig Lucas. Last year's winner was Moises Kaufman for 33 Variations.
Each year's honorees are chronicled in The Best Plays Theater Yearbook, edited by Jeffrey Eric Jenkins, alongside the 10 best plays produced that year in New York City. For a complete list of the 80 plays cited from 1977 through 2008, go to www.americantheatrecritics.org, under Awards.
The Harold and Mimi Steinberg Charitable Trust was created in 1986 by Harold Steinberg on behalf of himself and his late wife. Pursuing its primary mission to support the American theater, it has provided millions of dollars to support new productions of American plays and educational programs for those who may not ordinarily experience live theater.
ATCA was founded in 1974 and works to raise critical standards and public awareness of critics' functions and responsibilities and to recognize excellence in the American theater. The only national association of professional theater critics, with several hundred members working for newspapers, magazines, radio and television stations and websites, ATCA is the U.S. national section of the International Association of Theatre Critics, a UNESCO-affiliated organization that sponsors seminars and congresses worldwide.
ATCA also presents the M. Elizabeth Osborn Award, honoring emerging playwrights, and the $10,000 Francesca Primus Prize, funded by the Francesca Ronnie Primus Foundation, honoring outstanding contributions to the American theater by a female artist who has not yet achieved national prominence. Annually it makes a recommendation for the Regional Theater Tony Award, presented by the American Theatre Wing/Broadway League, and its members vote on inductions into the Theater Hall of Fame.
For more information on ATCA, visit www.americantheatrecritics.org .
For more information on the Steinberg/ATCA Award, contact Christopher Rawson, chair of ATCA's Executive Committee, at crawson@post-gazette.com (412-216-1944), or Wm. F. Hirschman, chair of the ATCA New Play Committee, at muckrayk@aol.com (954-478-1123).
I arrived at work this morning to find a lovely bit of good news in my e-mail inbox. Apparently, I'm one of six finalists for the 2009 Harold and Mimi Steinberg/ATCA New Play Award, which recognizes the "best new scripts produced professionally outside New York City" in the previous year. The award finalists and winners are selected by the American Theater Critics Association -- the same folks who awarded me the Francesca Primus Prize for an emerging woman theater artist last year.
I'm a fan.
I'm also a fan of several of the other finalists. In fact, I'm feeling entirely humbled to even be on a list with them. I studied Lee Blessing's play "A Walk in the Woods" in college. I LOVED Tracy Letts' "August: Osage County" when I saw it on Broadway (Broadway!) last year, just before it won a Pulitzer Prize. And one of my fav local theater companies, Furious in Pasadena, did a play called "Back of the Throat" by Yussef El Guindi two years ago which I think was my favorite thing I've seen there -- a war play (of sorts) with great punch, complication, boldness and truth.
Some very good company. A very good day.
Here's the deets.
U.S. THEATER CRITICS NAME SIX FINALISTSFOR 2009 STEINBERG/ATCA AWARD
The American Theatre Critics Association (ATCA) has selected six finalists for the 2009 Harold and Mimi Steinberg/ATCA New Play Award, which recognizes the best new scripts produced professionally outside New York City during 2008.
The winner and two additional citations will be presented April 4 at Actors Theatre of Louisville during the Humana Festival of New American Plays. The top award includes a commemorative plaque and a cash prize of $25,000 -- currently the largest national new play award -- with $7,500 for each citation.
The finalists are:
* Becky's New Car by Steven Dietz is "a warmly humorous and nimble romantic farce a genial consideration of loves lost and found, midlife and middle-class ennui and American car lust," said the Seattle Times. It was produced in October 2008 by ACT Theatre in Seattle.
* Great Falls by Lee Blessing is a wry drama about a stepfather and his disaffected stepdaughter trying to make connections on a road trip across the American West. It was produced in February 2008 at the Humana Festival of New American Plays at Actors Theatre of Louisville. Blessing won the award in 2006 for A Body of Water and 1987 for A Walk in the Woods.
* Lydia by Octavio Solis is a searing depiction of a dysfunctional Mexican-American family in the 1970s dealing with issues of immigration, assimilation and mental illness. It premiered at the Denver Center Theatre Company in January 2008.
* Our Enemies: Lively Scenes of Love and Combat by Yussef El Guindi depicts Muslim-Americans struggling among themselves how to portray their cultural identity and how deeply to assimilate in the post-9/11 world. It was produced in March 2008 by Silk Road Theatre Project in Chicago.
* Song of Extinction by E.M. Lewis starts as a realistic examination of ecology, genocide, isolation, music, family relationships and a host of other issues but morphs into a dreamscape which weaves the disparate strands into a cohesive pattern of inter-connectedness. It premiered in November 2008 at Moving Arts in Hollywood. Lewis won ATCA's Francesca Primus Award last year.
* Superior Donuts by Tracy Letts is a comic drama portraying the resurrection of a former '60s radical who is hiding from disappointments and tragedies by running a tiny Chicago doughnut shop. His isolation is challenged by a young black man seeking a job and running from some secrets of his own. It premiered in June at Steppenwolf Theater.
Consideration for the Steinberg/ATCA awards is limited to new plays not yet produced in New York City by the end of the year. These six finalists were selected from plays nominated by ATCA members, then evaluated by a committee of 13 theater critics, led by chairman Wm. F. Hirschman of the South Florida Sun-Sentinel.
Other committee members are Misha Berson, Seattle Times; Bruce Burgun, Bloomington Herald Times and Back Stage; Michael Elkin, Jewish Exponent (Pa.); Jay Handelman, Sarasota Herald-Tribune; Pam Harbaugh, Florida Today (Melbourne); Leonard Jacobs, New York Press, Back Stage and The Clyde Fitch Report; Chad Jones, Oakland (Cal.) Tribune; Elizabeth Keill, Independent Press (Morristown, NJ); Elizabeth Maupin, Orlando Sentinel; Wendy Parker, The Village Mill (Midlothian, Va.); Michael Sander, Back Stage (Minn.); and Herb Simpson, Totaltheater.com (Rochester, NY).
"This year's entries dig deep into the soul of America with timely issues about technology's effect on humanity and timeless issues about searching for meaningful human connections," Hirschman said. "The nominated plays reflect an encouraging range of well-known names and newcomers, young voices and mature talents, the mainstream drama and the surreal. Protagonists are as diverse as Arab-Americans fighting about their image or Southern white women planning a wedding to an African American runner from Louisiana."
These awards began in 1977, when ATCA started to cite each year one new play produced outside New York City. In 1985, the annual citations expanded to three, and from 1986 one of those three was given the ATCA New Play Award of $1,000, with various newspapers providing financial subsidy. In 2000, the award was renamed to recognize the Steinberg Foundations generous annual gift of $15,000, raised in 2006 to $40,000.
Honorees since 1977 have included Lanford Wilson, Marsha Norman, August Wilson, Jane Martin, Arthur Miller, Mac Wellman, Adrienne Kennedy, Donald Margulies, Lynn Nottage, Horton Foote and Craig Lucas. Last year's winner was Moises Kaufman for 33 Variations.
Each year's honorees are chronicled in The Best Plays Theater Yearbook, edited by Jeffrey Eric Jenkins, alongside the 10 best plays produced that year in New York City. For a complete list of the 80 plays cited from 1977 through 2008, go to www.americantheatrecritics.org, under Awards.
The Harold and Mimi Steinberg Charitable Trust was created in 1986 by Harold Steinberg on behalf of himself and his late wife. Pursuing its primary mission to support the American theater, it has provided millions of dollars to support new productions of American plays and educational programs for those who may not ordinarily experience live theater.
ATCA was founded in 1974 and works to raise critical standards and public awareness of critics' functions and responsibilities and to recognize excellence in the American theater. The only national association of professional theater critics, with several hundred members working for newspapers, magazines, radio and television stations and websites, ATCA is the U.S. national section of the International Association of Theatre Critics, a UNESCO-affiliated organization that sponsors seminars and congresses worldwide.
ATCA also presents the M. Elizabeth Osborn Award, honoring emerging playwrights, and the $10,000 Francesca Primus Prize, funded by the Francesca Ronnie Primus Foundation, honoring outstanding contributions to the American theater by a female artist who has not yet achieved national prominence. Annually it makes a recommendation for the Regional Theater Tony Award, presented by the American Theatre Wing/Broadway League, and its members vote on inductions into the Theater Hall of Fame.
For more information on ATCA, visit www.americantheatrecritics.org .
For more information on the Steinberg/ATCA Award, contact Christopher Rawson, chair of ATCA's Executive Committee, at crawson@post-gazette.com (412-216-1944), or Wm. F. Hirschman, chair of the ATCA New Play Committee, at muckrayk@aol.com (954-478-1123).
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