Thursday, May 17, 2012

"Apple Season" in Colorado Springs

"Apple Season" by EM Lewis in the 2012 6 Women Playwriting Festival.  Actress Joye Levy.
I was delighted when I received the call from the 6 Women Playwriting Festival that they wanted to include my 10-minute play "Apple Season" in this year's event.  When I found out that my pals Babs Lindsay from Seattle, WA and Maureen Brady Johnson from Oberlin, OH had plays in the festival too, I knew I had to go.
Playwrights Babs Lindsay, EM Lewis and Maureen Brady Johnson.  On our way to the Six Women Playwriting Festival in Colorado Springs!
Babs, Maureen and I coordinated our arrival at Denver Airport, rented a car together, and zipped out to Colorado Springs.  The women who produce the 6 Women Playwriting Festival could not have been warmer.  They put us up in the home of one of their board members, and had arranged a lovely reception, a beautiful brunch, a cast party, and talk-backs after two performances.  The three of us met two of the other playwrights there -- Cricket Daniel from Bend, OR and Margo Hammond from Newark, NJ.  We also had plenty of time to chat with our directors and actors.

I'd written "Apple Season" on a prompt from Jennie Webb, who coordinates the Botanicum Seedlings new play program at Theatricum Botanicum in Topanga Canyon, CA.  During the summers, Theatricum Botanicum produces classical works (for the most part) on their gorgeous outdoor stage.  But the Seedlings program guarantees their engagement with new work as well.  They did a reading of my play "Reading to Vegetables" a few years ago, and I've also talked a lot with Jennie from her work with the LAFPI -- (that's the Los Angeles Female Playwrights Initiative, if you're wondering!).  Just before I left for New Jersey, Jennie asked me if I'd like to write a ten-minute play on the theme of "backyard fruit" for a reading festival they wanted to do during the summer.  I had no idea what that prompt would prompt in me, but I said absolutely.  I knew something would occur!  I ended up spending the summer between leaving Los Angeles and moving to Princeton back on my family's farm in Oregon.  Because I could!  Because I wanted to.  How often as an adult do you get to spend a few solid months during the glorious Oregon summer, when everything is growing in the gardens and orchards, back with your much-loved family?  It was certainly an inspiration as I sat down with my little laptop to write a play on the subject of backyard fruit.  For inspiration, I ate raspberries, logan berries, boysen berries, marion berries, blackberries (wild and domestic), gooseberries, blueberries, peaches, apples and plums.  (Have I mentioned how much I love our farm in the summertime?)  I ended up writing a play that is set in the world I grew up in -- on a small farm in rural Oregon.  It turned out a bit darker than I expected it to be.  The characters surprised me with where they took things.

"Apple Season" by EM Lewis, directed by Birgitta de Pree, in the 2012 Six Women Playwriting Festival in Colorado Springs, CO.  Actors Anthony Archer and Joye Levy.
At the 6 Women Playwriting Festival, "Apple Season" was directed by Birgitta de Pree, and featured actors Joye Levy and Anthony Archer.  Here's the synopsis:  Will is interested in buying the farm that Lissie inherited from her folks, but he hadn't bargained on her asking price.

If you'd like to watch the play in its entirety, you can!  The festival filmed each play, and they're available here.
Me and my cast at the cast party!
Short play festivals aren't always reviewed, but we received lovely notices in the local paper.  Read them here.  I was certainly pleased that my play was highlighted by critic TD Mobley-Martinez as:
"...the best short play I’ve ever seen on that stage: “Apple Season,” which was written by E.M. Lewis and directed by Birgitta De Pree, is worth the cost of admission all on its own. Haunting. Poetic. And genuinely unexpected.  
It’s a story as simple as this: Lissie (Joye Levy) must deal with a death. Seen it, you might say. But Lewis unreels a nuanced story in poetic little pieces. Some spell things out, sure, but others rely on your own ability to put two and two together.  
Director De Pree takes her time with Lewis’ story, allowing silences to say as much as Lewis’ heartland dialogue. Levy and Tony Archer, who plays Will, know what to do with it all. Both offer deeply memorable performances. Levy was powerfully honest and human — in what she shows and perhaps more important, in what she doesn’t."
A big thank you to the more than 6 Women (and men!) who so graciously welcomed us playwrights to their community.  It was lovely meeting you!  And you've inspired me.  Since I returned home, I've been working to turn "Apple Season" into a full-length two-hander.  We'll see where the characters want to take me now!

Sunday, April 15, 2012

April 18 -- Reading of "If I Did This" in NYC!

Coming up next:  A reading of my new play "If I Did This" in New York City on Wednesday, April 18th, at 7pm.  I hope friends and colleagues in the area will come out and see!  The play is about a grieving mystery writer who is hired to ghostwrite the "story of the century" -- but finds himself becoming part of the story instead.  
___________________________________

New Shoe Theatre presents a reading of

IF I DID THIS

By EM Lewis
Directed by Elysa Marden

with
Joel de la Fuente
Melanie Nicholls-King
Brian Fuqua
Juliet Brett
Pamela Nyberg

April 18, 2012 ~ 7pm
Dramatists Guild, 1501 Broadway, 7th floor
Free/No Reservations Required
www.newshoetheatre.org
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What's past is prologue.

Saturday, March 31, 2012

April 2 - "I, Human" in NYC!

I have written a robot play.

"Where in the world did that come from, Ellen?" you might ask.  And it's true that I usually play in a sandbox that looks more like Lanford Wilson Land than Isaac Asimov Country.  But I like stretching myself.  I like trying new things.  Short plays are great for attempting bold maneuvers in your writing!  They're short!  Surely we can be brave in ten or twenty pages, can't we?

I read quite a lot of science fiction while I was growing up.  I think most geeky smart kids do.  Ray Bradbury, Robert Heinlein, Isaac Asimov, Frank Herbert.  Madeleine L'Engle's Time Trilogy.  And I remember watching reruns of "Star Trek" (the real Star Trek, the original Star Trek) with my dad on television, and staying up and terrifying myself when I was babysitting with late-night viewings of "The Twilight Zone" and "Outer Limits."  I remember my Speech & Debate Team pals Mark and Jeff reciting great chunks of dialogue from Douglas Adams' "A Hitchhiker's Guide to the Galaxy."  "War of the Worlds" and the three "Star Wars" movies and "Bladerunner" all affected how I saw the universe.  Later, I'd find my way into the worlds of Ursula K. LeGuin and Octavia Butler and Margaret Atwood and George Orwell and Dan Simmons.  I liked it there.  These writers were asking big questions.

I like it when writers ask big questions.

So when Gus Schulenberg from Flux Theater Ensemble asked if I could write a short play for them that riffed upon the futuristic/sci-fi themes of their new mainstage show "Deinde," I said yes.

I've written for Flux's "ForePlay" series before.  Last year, Gus asked if I'd write something to go alongside their production of "Ajax in Iraq" by Ellen McLaughlin for their "New World Iliads."  I came up with a futuristic play called "The War Museum."  It was a great challenge, and really, really fun.  

I love the idea of this series.  Basically, in the weeks leading up to the opening of a show, they ask a bunch of writers they've worked with before or know to write new short plays that riff upon the themes of their mainstage show.  Each week, a new batch of four or five are assigned to a director, cast, and put up in an evening of readings and fun and cameraderie.  It multiplies exponentially the number of theater artists they get to work with, while speaking directly to the themes of the mainstage play and reaching out to new audiences.  Brilliant!  Lots of work for them, but really, really smart.

My play for ForePlay: Human 2.0 is called "I, Human."  As you might guess from the title, if you're familiar with the writings of Isaac Asimov, it's a bit of an homage to his influential "I, Robot" series -- which introduced the Three Laws of Robotics to the world.  It's got robots and scientists, heated discussions about ethics, and a bit of the old ultra-violence, too.  If you're in New York City on Monday night, I hope you'll come check it out.  I'd love to see you there!

Inspiration for "I, Human" by EM Lewis.
Flux Theater Ensemble's ForePlay: Human 2.0
Monday, April 2 at 8pm
The Lounge at Dixon Place
161A Chrystie Street (between Rivington and Delancey)
New York, NY

For more information:  Flux's ForePlay: Human 2.0

Playwrights: David Ian Lee (TIME), EM Lewis (RESPONSIBILITY), David Stallings (BORDERS), Lauren Ferebee (MUSIC), Nat Cassidy (PARENTING)
Director: Matt Archambault
Actors: Becky Kelly, Maria Portman Kelly, Kari Swenson Riely, Chris Wight, Tatiana Gomberg, John Albano

Sunday, March 4, 2012

Reveille Revisited!

Here are some pictures from Moving Arts production of The Car Plays, now running (extended!) in San Diego, at La Jolla Playhouse.  I'm proud to have my short play "Reveille" included.  "Reveille" is about a young man who has signed up for the military on the morning he is supposed to leave for Basic Training, and his father, who despite being a vet himself, doesn't want his son to go.

Reveille by EM Lewis
Directed by Sam Woodhouse
Featuring Will Tulin and Michael Zlotnik

Will Tulin as Leonard, and Michael Zlotnik as Linny.
Will Tulin and Michael Zlotnik.
Mike Zlotnik as Linny.

Friday, February 24, 2012

The Car Plays are Revving Up in San Diego!


Still trying to figure out what these "Car Plays" are that I keep mentioning, as they move from the Radar Festival in LA to the Off-Center Festival in Costa Mesa, and now to La Jolla Playhouse in San Diego?

Click here to see a lovely little television news feature about Moving Arts' wonderful site-specific theater production, featuring creator and producer Paul Stein, Michael Shutt, and a bunch of our fabulous Los Angeles and San Diego actors, working together to make this latest production happen!

Click here to see another television feature, this one from the local PBS station.  We're getting lots of love in San Diego!

Or click here to see a review in the San Diego Union-Tribune.

Or click here to see a review in the North County Times.

Or click here to buy tickets to the La Jolla Playhouse production of Moving Arts' "The Car Plays!"

I'm proud that my play "Reveille" is part of the mix.

Reveille by EM Lewis
Directed by Sam Woodhouse
Featuring Will Tulin and Michael Zlotnik

Leonard's only son has signed up for the military. He leaves for boot camp this morning.

Monday, February 20, 2012

Big News! $10,000 Fellowship from the NJ Arts Council!

The big news this month is that I'm the lucky recipient of a $10,000 Fellowship in Playwriting from the New Jersey State Council on the Arts.  I drove up to Summit, NJ a few weeks ago to accept the award, along with other recipients in five categories, at their Annual Artists Roundtable.  Twenty-two artists were selected from more than 300 applicants in the categories of crafts, sculpture, photography, playwriting and poetry.

Front row, from left to right: Ben Marshall (playwriting), E M Lewis (playwriting), Thea Clark (crafts), Joanne Hoersch (playwriting), Erin Endicott (crafts), Catherine Doty (poetry).  Back row, from left to right: Frank Tribble (of Mancenido Tribble, photography), Douglas Ensel (photography), Jackie Clark (poetry), Sheri Lynn Behr (photography), Riccardo Berlingeri (sculpture), Anne Dushanko Dobek (sculpture), Deb Margolin (playwriting), Mihaela Moscaliuc (poetry), Michael Waters (poetry), Won Ju Seo (crafts)
The money will help me make it through the rest of the year -- which is rapidly filling itself with a wonderful array of productions, publications and teaching gigs.  Thank you, New Jersey, for helping me to be a full-time playwright for a little longer!!

A nice article about local playwriting recipients in the Star-Ledger.

"This Isn't About Love" in Eleven Eleven

Three of my short plays are getting some attention this Valentine's Day month.  "Reveille" is in Moving Arts' The Car Plays -- which is roaring into the Without Walls Festival at La Jolla Playhouse in San Diego, CA.  "Partners" is in the Briefs Festival in St. Louis, MO.  And "This Isn't About Love" has been featured in Eleven Eleven -- a biannual journal of literature and art published through the MFA Writing Program at California College of the Arts in San Francisco.  

"This Isn't About Love" is about a lunchtime tryst between two lovers in a hotel room; one of them wants something the other might not be ready to give.

Click here to read "This Isn't About Love."  Look at the rest of the journal while you're there!